Helping to heal the world… one song at a time.
A true fun and inspiring night to kick off more to come! Stay tuned for more details on the week-long Wonder Fest happening March 4-8, 2013, and hope to see you there! xoxox http://www.KatLeonard.com
Big fun times with amazing artists and friends at The Central on Saturday night for LMG Productions’ Super Wonderful New Year Kickoff fundraiser for the upcoming Wonder Women 2013 festival in March. Organizers and hosts Arlene Paculan and Kat Leonard (aka Musedy Tag Team) treated us to some tunes, including their new Michael Jackson mash-up, and some kick-ass raffle prizes, including CDs from participating artists and tickets to the upcoming Wonder Women concert on March 8.
This was one incredible party – and we were moved, rocked and amazed by feature acts of Wonder Women and, for the first time, Super Men – check them out:
It was a reunion of sorts, and I got to see folks I hadn’t seen in a while, including some of the incredible open mic guests: Angela…
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It’s true!!! Saturday January 12th is our Super Wonderful Kickoff show!
Bring it on, 2013!
LMG Productions presents…
SUPER WONDERFUL NEW YEAR KICKOFF
SATURDAY JANUARY 12TH, 2013!
At The Central in Toronto!
It will be a fantastical night that’s sure to warm the cockles of your heart even if it’s a blistery day—or blustery even.
LMG is proud to debut their first lineup of SUPER MEN along with splendorous WONDER WOMEN!
It will be hosted by the Musedy Tag Team of
Kat Leonard and Arlene Paculan!
www.katleonard.com
www.arlenepaculan.com
The fun happens at
The Central
603 Markham St. Toronto, ON
7:30pm!
$10!
We’re raising funds for our amazing event “Wonder Women” which will be a week long event during International Women’s Week in March 2013!
The goal of Wonder Women is to spread empowerment and positive self-esteem through female artists.
Here’s who you get to see at this awesome event!
Asleep in the Machine
http://www.asleepinthemachine.com/
Ellie Anderson
http://www.ellieandersonmusic.com/
Dread Eye
http://facebook.com/dreadeyew
Matt Gerber
http://www.myspace.com/thedeadlyvenoms
Linda Inthahack
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Santa’s Sack!
The Next Big Thing: an online interview with yourself.
(How romantic!)
The effervescent Lizzie Violet tagged me in a blog experiment called The Next Best Thing in which writers answer ten questions about a current project and post them on their blog, tagging other writers who would have interest in doing the same. It started as a bookwriters exercise and Lizzie added the playwright angle. Now I add the songwriters angle!!!!
Ten Interview Questions for The Next Big Thing:
(Songwriters version by Kat Leonard)
What is the working title of your song? Santa’s Sack
Where did the idea come from for the song? During a Christmas song brainstorming session with Heather Hill, Aynsley Saxe and Steve Didynuk.
What genre does it fall under? Novelty/comedy
Which performer (if not yourself) would you like to perform the song? Will Ferrell
What is the one-sentence synopsis of what the song is about?
Wanting to help Santa unload his heavy sack by taking your gifts now.
Will your song be self-published or represented by a separate music publisher?
Self-published.
Will it be part of an album or EP? Possibly a festive collection.
How long did it take you to write the first draft? 6 hours
What other music genres/artists would you compare this song to?
Weird Al Yankovic, Bob Rivers, Jack Black & Tenacious D.
Who or what inspired you to write the song? Santa’s huge sack and jingle bells.
What about your song might pique the listeners interest?
The singalongability of “Ho ho ho ho ho ho ho” and the triple entendres.
Bonus: A sample! Here is a smidge of my performing Santa’s Sack at the Music Mentor Productions holiday party this month: http://youtu.be/DJMudNqYdiU
And there are the lyrics:
SANTA’S SACK
by Kat Leonard November 2012
(Spoken) Dear Santa…
You’ve got a big sack– jam-packed
With heavy gifts of joy that could break your back
I can help you… damn straight
I can help release the pressure and reduce the weight
I’ll take my gifts now… and how
You know what I like and I’m willing to be wowed
I’ve been a good girl—giddy up
I saved half of your cookies and egg nog in a cup
Chorus:
Santa, how your sack does bulge
Ho ho ho ho ho ho ho
Bursting with the gifts I love
Ho ho ho ho ho ho ho
What could be inside for me?
Ho ho ho ho ho ho ho
Ho ho ho ho ho ho ho
Bulging sack of festive glee
You’ve got a big sack—paddywack!
The strain must be a constant risk of heart attack
Let me hold it– pick it up
I’ll keep it upright and inspect it close-up
You can trust me—fingers crossed
I’ll handle it with care so nothing gets tossed
Let me touch it—Jingle bells
I see something for me right there where it swells
BRIDGE:
Jolly yuletide clown
Come on down
Loosen your belt, recline by the fire
I’ll roast some nuts and sing like a choir
I’ve been a good girl
I saved you a cookie
I’ve been a good girl
(Spoken): Well, half a cookie.
It’s better than no cookie.
I’ve been waiting a long time, Santa.
They kept getting into my mouth… I couldn’t stop them.
(Repeat chorus and improvise to end)
I do hope you’ve enjoyed Santa’s Sack and benefit it from the real sack this holiday season! Happy Ho Ho Ho! I do believe Heather Hill and Arlene Paculan might be interested in doing The Next Big Thing exercise. If anyone else is, please feel free to use my adapted questions!
Love Kat
Knowledge is Power!
She’s Listening!
OVARIAN CANCER – The Little-Known Killer of Women!
We the Four Winds Collective (independent artists Kat Leonard, Arlene Paculan, Meghan Morrison and Heather Hill) played a fundraising event for Ovarian Cancer Canada last Friday night with local artist Kelly Sloan at Bass Line Station in Ottawa, Ontario. Mike Anderson of CanadaParties.ca organized the event. As the Winds traveled the 401 east, we discussed our issues with supporting certain types of charity fundraising events. We agreed that we are not as interested in supporting organizations that are backed by pharmaceutical companies as much as we want to support the charities that are lean, agile and creative and not backed by organizations that serve to benefit from the illness and its treatments.
Upon arrival at Bass Line Station we met Lynn Griffiths, who has been an active volunteer for Ovarian Cancer Canada since losing her dear sister Ann to the disease in 2007. The Four Winds were pleased to learn that Ovarian Cancer Canada is not backed by pharmaceuticals and relies heavily on volunteers and donations to help raise awareness and funds for research. Lynn had all kinds of literature for us and she shared some incredible information.
When Corinne Boyer succumbed to ovarian cancer in 1997 at the age of 57 years old, she left an enduring legacy. Corinne’s husband, Patrick Boyer, created the Corinne Boyer Fund to advance ovarian cancer research and awareness. In 1999 the name was changed to National Ovarian Cancer Association (NOCA). In 2002 the name was changed to Ovarian Cancer Canada, and it remains a member-based and funded organization. There is a research chair at the University of Ottawa as well as one that was added recently in Toronto.
Every year, 2600 Canadian women are diagnosed and 1750 women succumb to ovarian cancer. What is most difficult is that there is no test to screen for whether you have ovarian cancer, and the symptoms are incredibly generic and subtle and very easily missed. And ovarian cancer must be treated early to increase the chances of successful healing. Lynn mentioned that one of the risk factors is ovulation, that the more you ovulate the greater the risk of ovarian cancer. So women who have not given birth and are not on the birth control pill could be at greater risk for developing ovarian cancer.
For more information, please visit www.ovariancanada.org.
What every woman NEEDS TO KNOW – or tell a woman you love!
▪ There is a lifetime risk of 1 in 70 that you will develop ovarian cancer
▪ Many doctors are unfamiliar with the signs and symptoms of ovarian cancer and fail to consider it as a possible diagnosis
▪ Failure to find the disease in its early stages is partly due to (i) lack of sensitive detection tests and (ii) health care providers and even women themselves may ignore warning symptoms
▪ A Pap smear does not detect ovarian cancer
▪ HPV vaccine helps prevent cervical cancer, not ovarian cancer
▪ Recent research has found that a large proportion of ovarian cancers actually start in the fallopian tubes rather than the ovaries. If you are having gynecologic surgery, ask your doctor whether or not removal of the fallopian tubes would be beneficial to you. For more information, visit ovcare.ca
▪ Pain in the abdomen is not necessarily a symptom of ovarian cancer – even if you have no pain, your doctor cannot rule out ovarian cancer
▪ Even though ovarian cancer is known as the “disease that whispers” the majority of women with ovarian cancer report symptoms, including women diagnosed at an early stage
▪ Ovarian cancer rates rise after menopause, peaking from age 60-75, although it can occur at any age
▪ The hereditary form, found in families where many close relatives have had breast and/or ovarian cancer, tends to occur at an earlier age
The Four Winds enjoyed a warm night of music and amusement with Lynn and the staff of Bass Line Station as well as friends and audience who came out to join us. We were thrilled to learn that many of the audience members donated very generously to Ovarian Cancer Canada and we were happy to donate proceeds of CD sales to the important cause.
Please do inform yourself about ovarian cancer and its symptoms as well as other insidious diseases, and please share information with your friends and loved ones. As the Ovarian Cancer Canada tagline states: Knowledge is Power.
Four Winds with Mike Anderson and Lynn Griffiths
And now, for your listening pleasure, please enjoy two of the Winds’ cancer-inspired tunes: How Long by Heather Hill and Fuck Cancer by Kat Leonard.
Be well and be informed.
Love, Heather and Kat
(Two of the Four Winds Collective)
CURRY LASAGNA!
I’m not a cooker by nature, or a baker or a cleaner or a candlestick maker… but I love good food with a twist. When I do cook, I will often start with a known recipe and add ingredients I like while omitting those I don’t. I usually double the onions, garlic, butter and spice. Mmm… butter and spice!
Anyhooters… Today’s concoction started with an honest attempt at an established recipe, but then I got diverted by curry while searching for garlic powder! Mmmm… curry. I sniffed it. I thought yeah, curry lasagna, baby, coming right up! I started with my ma’s trusty lasagna recipe and altered it thusly:
Ingredients:
-1 lb lean ground beef (but I bet no-lean or pork or vegan substitute would work too)
-1 med onion chopped (or 4) (I also added minced garlic because I like garlic in everything. Probably even in cupcakes.)
-salt, pepper, garlic powder (I used salt for good measure and 2tbsp of the curry powder pictured above)
-1 (700ml) jar pasta sauce
-1 can cream-of-mushroom soup (This is my ma’s secret to a creamy mellow lasagna that will cause a warm happy hum throughout your entire being especially the mouth and belly parts.)
(I used a container of Ricotta cheese instead, in case the mushroom with curry was too much… however, I may experiment with both next time!)
(Vegans, substitute your preferred alternative to mellow creamy goodness– or stop the vegan nonsense and join the dark side pronto!)
-mozzarella cheese slices— or shredded (I use a mozza-cheddar mix because cheddar is mmmmm-mmmm-gooooood! Vegans, see instructions above)
-parmesan cheese (Vegans… you get the drift)
-oven-ready lasagna noodles (unless you prefer homemade or other such business you must cook beforehand)
*The 2tbsp amount of curry powder I used resulted in a very mild curry flavour that would be enjoyed by anyone, even non-curry lovers. I think next time I’ll double the curry amount and see how that turns out.
Directions:
Stir fry meat or like substance, onions, garlic, spices. When meat is fully cooked, add pasta sauce with 1/2 cup water. Stir in undiluted mushroom soup (or ricotta). Layer in casserole dish: meat sauce, parmesan, cheese mix, layer of noodles, meat sauce, parmesan, cheese mix, layer of noodles, meat sauce, parmesan, cheese mix. Bake 350 F one hour covered with lid or foil. Uncover and bake another 15 minutes to brown cheeses. Mmmmm-mmm enjoy!
This is what it looked like when I ate it:
Katbaret: Artist Feature Ayumi Iizuka!
Katbaret:
A series of Artist Features
In an effort to recommence my series of feature artists, I begin by highlighting artists I featured in my column East End Artists that existed in the late local paper etc… news.
AYUMI IIZUKA
(Actor, improviser, businesswoman)
Ayumi Iizuka is a magnetic personality as she engages with a stunning smile and electrifying twinkle of the eye. She’s smart, funny, multi-talented and extremely generous in laughter and spirit. In addition to a busy career in the arts, Ayumi also opens her heart and home to dogs waiting for adoption, through a dog-fostering program. She is a true lover of life and an active dream chaser.
She has an Honours Joint Specialist Degree in Political Science and Philosophy, and also a diploma in Computer Graphics. She worked as a 3D computer animator doing special effects for commercials and movies but knew the entire time that she belonged on the other side of the camera.
Since my initial interview with Ayumi in 2008, Ayumi has moved to LA, bought a house, and taken up ownership of Connect Studios LA, casting director workshops studios, while she continues to act, write, improvise and foster dogs.
Live show highlights:
-Second City National Touring Company, Canada
-Teaching at The Second City Toronto and Hollywood
-Topological Theatre and Kageboushi Theatre of Japan’s touring co- production of Lulie The Iceberg
–Inconvenient Musical and SARSical by the Rumoli Brothers
-Numerous nominations and wins for Canadian Comedy Awards
-Winning ‘Best of the Fest’ at the LA Comedy Fest with the Canadian Second City alumni improv troupe ‘The Eh Team’
Television Highlights:
Toronto: Ken Finkelman’s Foreign Objects, Sue Thomas FBEye, Earth Final Conflict, Degrassi TNG, Hollywoodland
LA: 90210, Parenthood, Ben and Kate, Harry’s Law, The Middle, Jimmy Kimmel Live, Mobbed, Destination Fear, Scare Tactics, Extreme Focus (CBC pilot), Office Ninja (feature film), SOLO – web series
Ayumi’s early interview:
KAT: What are some high points in your career?
AYUMI: Playing Bob Hoskins’ mistress in Hollywoodland. The role was small but it was exciting to sit at a table with Bob Hoskins, Ben Affleck and Diane Lane.
KAT: Challenges and rewards of your career?
AYUMI: Rejection and money come to mind immediately to answer the first part of the question. Rejection and money come to mind for the second part of the question.
KAT: Any words of advice to someone embarking on same career?
AYUMI: As everyone in the business told me when I decided to get into it, “If there’s something else you would be just as happy doing, do that instead.” I think that once you decide to do it, though, it’s important to persevere. Stay busy and create your own opportunities if they aren’t finding you.
KAT: In your opinion, what makes a person an artist?
AYUMI: Parental condemnation and a burning desire to do what you want in spite of the odds of success.
KAT: What is your favourite quote?
AYUMI: “What would you attempt if you knew you could not fail?”
KAT: What amuses you?
AYUMI: Guitar Hero 3 and cuteoverload.com
KAT: What makes you laugh hysterically?
AYUMI: Doug Morency (Stay tuned for East End Artist Doug Morency edition!)
KAT: What makes you sad?
AYUMI: Homeless or abused animals… actually, that makes me angry. I care about homeless and abused people too, but aren’t we all animals?
KAT: What makes you worry?
AYUMI: The overall state of the planet and the people who are in charge.
KAT: What is your most simple delight?
AYUMI: Hanging out with my man and my dogs.
KAT: What are your pet peeves?
AYUMI: Zero tolerance, tyranny of the majority, and people who don’t signal.
KAT: Would you rather: be too hot or too cold? AYUMI: Too HOT! KAT: Be thirsty or hungry? AYUMI: Thirsty. KAT: Be hungry or stuffed? AYUMI: Stuffed, any day! KAT: Live hectic or bored? AYUMI: That’s a toughy! Probably hectic. KAT: Read or write? AYUMI: This writer says read. KAT: Make dinner or clean up after? AYUMI: Make dinner. KAT: Eat sweet or savoury? AYUMI: Can’t the world have both at once? KAT: Watch sunset or sunrise? AYUMI: Sunset. Do you know what ungodly hour the sunrise happens?! How can you enjoy it if you’re still asleep or still pissed off at someone for making you wake up so early?!
It is a true pleasure to be in the company of Ayumi Iizuka, a successful and enthusiastic artist who is also a big-hearted and inspired person. You can find out more about Ayumi on her website: www.aiizuka.com
FUCK CANCER!
I am an active member of the Songwriters Association of Canada (SAC), which offers various workshop opportunities and resources for songwriters. I meet regularly with a group to showcase works in progress and sometimes collaborate and exercise skills. One SAC exercise was to take a song that we love and play with the lyrics and/or musical components. Playing with music and emulating others is a helpful exercise in developing our own talents. As children, we learn task, behaviour and language by imitating those around us. It’s important for artists to find their own voice, but I believe experimentation with something that inspires us is a great playground and springboard to our own possibilities.
I chose Leonard Cohen’s Hallelujah. kd lang’s rendition changed my relationship with music. I had the opportunity of soaking in an intimate performance of hers. I sat 5 feet from her on the same floor. From the moment she inhaled her first singing breath, I knew I was forever changed. Watching her use her phenomenal instrument to allow the release of such a beautiful and powerful spirit, to feel it move about the room, that spirit souring on a wave of soul that carried me to another dimension was… (sigh) enigmatically indescribable. But I blissfully digress. I love the work of Leonard Cohen. He’s a true music-smith and storyteller. I also love that his first name is my last.
The lyrics I wrote for the SAC exercise are Fuck Cancer, but I have since gotten more mileage out of Cohen’s incredible Hallelujah sound bed. I was asked to sing Hallelujah at both a wedding and a funeral this summer, so I changed the lyrics again and again to suit each of these events.
Excuse disclosure: This was an exercise in writing, not singing, so these aren’t slick recordings of the songs. But if I wait until they’re made spiffy, I may not ever get to it. My to-do list is way longer than the lineup for an iPhone 5!
Here are my three adaptations– with lyrics and link to sound in case you’d like to sing along!
FUCK CANCER
The lyrics “Fuck Cancer” are pretty severe. The words “Fuck” and “Cancer” individually have pretty stirring effects on the ear and heart (also that other “C” word, but I’ve not made a lyric of it.) So when Fuck and Cancer are put alongside each other, juxtaposed with the haunting splendor of Hallelujah’s sound bed, there’s a palpable reaction from the crowd I sing it to. Some people read the lyrics before hearing the song and immediately thought, “No, don’t do this,” until they heard it sung and changed their tune to, “Oh, yes, do this. Don’t even come up with an original song bed and melody to this. It’s gotta be wedded to the sound of Hallelujah.” Others suggested maybe toning down the “fuck” to “damn” or even “darn” or “screw”. I wrestled a bit with the concern of harshness, because I don’t strive to offend. However, I do strive to affect. Yeah, Fuck is harsh. So is Cancer. So when Cancer’s less harsh, I’ll agree to soften the lyrics. Until then, Fuck Cancer!!!
Hallelujah FUCK CANCER
(Leonard C. adapted by K. Leonard)
I had an aunt with guts of gold
A hefty laugh and warm hand to hold
You’d fall in love before you knew it
Her smile was bright, her humour sharp
Her encouraging words could dispel the dark
With cruel notice, she was gone before we knew it
Fuck cancer, Fuck cancer, Fuck cancer, Fuck cancer
Grampie fought the great evil abroad
He’s the old kind of brave we’ll forever applaud
He fought for freedom from might
Taught me I was never alone
Gave a lonely young girl a place to belong
And in the end he surrendered to only one enemy
Fuck cancer, Fuck cancer, Fuck cancer, Fuck cancer
I have a friend who’s been fucked before
She’s battled the devil who comes back for more
She struggles inside but she doesn’t show it
She’s a buoyant wave on a frantic sea
And the kind of friend I strive to be
If she’s gone too soon, the world becomes less worthy
Fuck cancer, Fuck cancer, Fuck cancer, Fuck cancer
We all know that your end will come
And though the path be snarled and long
We’ll find our way and fight you strong
Sing a battle cry with all our might
Stun the dark to succumb to light
Sing with perpetual echo: Fuck you, cancer
Fuck you cancer, Fuck you cancer, Fuck you cancer, Fuck you
Fuck you cancer, Fuck you-ou-ou… Fuck you cancer
Fuck you…. Fuck cancer
HALLELUJAH FOR A WEDDING
I sang this in Germany to a German congregation in an itty bitty delight of a village. There were less than 10 people who understood the meaning of the lyrics I was singing, but there were many a tear streaming down from the effect of the melody and soul of the song. The wedding and funeral versions of Hallelujah both begin with Cohen’s original lyrics and deviate from them.
HALLELUJAH For a Wedding
(Leonard C. adapted by K. Leonard)
I’ve heard there was a secret chord
That David played, and it pleased the Lord
It’s amazing how music goes through ya
It goes like this, the fourth, the fifth
The minor fall, the major lift
The baffled king composing Hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah
Your love is strong and you live the proof
You saw her bathing on the roof
Her beauty in the moonlight overthrew you
She took your hand and won your heart
Gave your life a brand new start
And from your lips she drew Hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah
I’ll do my best and love you much
With all I feel I need your touch
It’s truest of truth, I wouldn’t fool ya
I’ll stand by you through right and wrong
I’ll stand before the Lord of Song
And raise my voice in hallowed Hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah
HALLELUJAH FOR A FUNERAL
I also added a splash of Charlie Pride’s Crystal Chandeliers because it was my aunt’s favourite song to dance to. Singing it a cappella in the church, it was easy to break into Crystal Chandeliers. But I am really pleased with the result of breaking into the different song whilst remaining in the sound bed of Hallelujah. I was even able to retain the original melody of Crystal Chandeliers and then meld back into the melody of Hallelujah. Isn’t music amazing?!
Hallelujah For a Funeral
(by Leonard C. adapted with love
and a splash of Charlie Pride by K. Leonard)
I’ve heard there was a secret chord
David played and it pleased the Lord
It’s amazing how music gets to ya
It goes like this, the fourth, the fifth
The minor fall, the major lift
It baffled the king composing Hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah
Listen, I’ve been here before
I know this room and I’ve walked this floor
But all that was familiar is new
The legacy you’ve built is strong
I stand before the Lord of Song
And raise my voice in hallowed Hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah
Your love is true and your friendship such
You can mend a heart with a simple touch
The power of the spirit runs through ya
And even though you can’t stay long
Your love and light to us belong
It echoes in every heartfelt Hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah
The crystal chandeliers light up your paintings on the wall
The marble statuettes are standing stately in the hall
But will the timely crowd that has you laughing loud
help you dry your tears
when the new wears off your crystal chandeliers
Hallelujah, Hallelujah, Hallelujah, Hallelujah
So that’s an example of a SAC music exercise that resulted in much play and education for me! What are your thoughts on playing with music in this way? What are your thoughts on the harsh lyrics of Fuck Cancer? Do you think I should play with creating original music to go along with the lyrics, perhaps even just for the exercise of it? Or do you prefer it this way? (This is an academic question, of course, because it’s not my music bed to use beyond an exercise. ;p) I think I’d really learn from your opinions!
As always, wishing you much music and play!
It’s a wonderful Toronto Indie scene!
FEATURE
Rawkin’ for PAWS @ the El Mo
by Cate McKim (www.lifewithmorecowbell.wordpress.com)
Little Creatures for Little Creatures rawked the house for PAWS last night at the El Mocambo, folks. And this music event rawked it big time. Such a good time for a very good cause. PAWS rescues and cares for homeless animals and is a no kill shelter. That’s right. For this one, we’re spelling it “rawk.”
Tom Wilson
Rawk veteran Tom Wilson, former lead singer of Junkhouse, kicked off the evening with a rawkin’ blues-feuled set you could feel in your chest, backed up Ray Farrugia on drums and Thompson Wilson on bass. Wilson served up some originals and some stories too – like how his dad, a Lancaster tail gunner in WWII came home from the war after being seriously injured and hooked on morphine, and came to hang out at the newly opened El…
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WONDER FEST!
As Artistic Director of LMG Productions and the Wonder Women series, I am pleased as sangria punch with big chunks of saturated fruit in it to announce the first-ever week-long Wonder Women Festival happening during International Women’s Week March 4-8, 2013!
As always, the aim of Wonder Women is to help spread empowerment through workshops and performance in order to share talent, ideas and encouragement through art– music, dance, comedy, spoken word, visual art, etc, etc, and art as yet to be invented.
For Wonder Women blurb and photos from the most recent event, Wonder Women V, visit my page dedicated to it: katleonard.com/wonderwomen
If you know of any wonder women, or are one yourself, interested in being involved with the Wonder Women series, please contact us at ImWorthItInfo@yahoo.ca. We ask that submissions to be considered for the March 2013 Wonder Women VI event be received no later than September 30,2012.
I’m really, really, really looking forward to WWVI so much that I may get a tattoo to commemorate it! Or finish another bag of Doritos.
And just because this post is so woman-centric, I leave you with a nice chunk of man to muse over.
Enjoy!
KAT LEONARD (Kat & The MP3) 