Category Archives: writing

WONDERFEST IS COMING!!!

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MARCH 4-8, 2013 is International Women’s Week, and LMG Productions celebrates by presenting Wonder Women VI: WonderFest, a weeklong series of workshops and concerts to spread empowerment through art.  This International Women’s Week edition of Wonder Women will be the largest Wonder Women event yet. With four free workshops and two concerts involving approximately 50 wonder women and super men of varied media, WonderFest is certain to make a positive artistic impact on the community.

At LMG Productions we truly believe that we are in this together, and we would be honoured if you would join us in our passion towards encouraging and empowering individuals through art.

Introducing our new blogsite:

www.WonderWomenWorld.tumblr.com/

 WONDERFEST SCHEDULE OF EVENTS:

Monday March 4, 2013
Workshop: Business Planning for Artists; Heather Hill
7:00pm at The Central, 603 Markham Street
FREE

 Tuesday March 5, 2013
Workshop: Playing With Music; Collaboration/Jam/Open Mic
7:00pm at The Central, 603 Markham Street
FREE

 Wednesday March 6, 2013
Workshop: Healing Through Art; Lisa Anita Wegner
7:00-8:30pm at Fringe Creation Lab, 720 Bathurst Street
FREE

 Thursday March 7, 2013
Workshop: Turning Wounds Into Wisdom; Nova Browning Rutherford
7:00-8:30pm at Fringe Creation Lab, 720 Bathurst Street
FREE

Thursday March 7,2013
Show: Super Men in Concert
Doors 9:30pm Show 10:00
The Central, 603 Markham Street
$10 at the door- receive $5 off Wonder Women VI in Concert

Friday March 8, 2013-International Women’s Day
Show: Wonder Women VI in Concert
Doors 7:00pm Show 8:00pm
The Gladstone Hotel, 1214 Queen Street West
$10 at the door

 HOPE TO SEE YOU THERE! XOX WW XOX

Santa’s Sack!

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The Next Big Thing: an online interview with yourself.
(How romantic!)

The effervescent Lizzie Violet tagged me in a blog experiment called The Next Best Thing in which writers answer ten questions about a current project and post them on their blog, tagging other writers who would have interest in doing the same.  It started as a bookwriters exercise and Lizzie added the playwright angle.  Now I add the songwriters angle!!!!

Ten Interview Questions for The Next Big Thing:

(Songwriters version by Kat Leonard)

What is the working title of your song?
 Santa’s Sack

Where did the idea come from for the song? 
During a Christmas song brainstorming session with Heather Hill, Aynsley Saxe and Steve Didynuk.

What genre does it fall under?
 Novelty/comedy

Which performer (if not yourself) would you like to perform the song? 
Will Ferrell

What is the one-sentence synopsis of what the song is about?
Wanting to help Santa unload his heavy sack by taking your gifts now.

Will your song be self-published or represented by a separate music publisher?
Self-published.

Will it be part of an album or EP?  Possibly a festive collection.

How long did it take you to write the first draft? 6 hours

What other music genres/artists would you compare this song to?
Weird Al Yankovic, Bob Rivers, Jack Black & Tenacious D.

Who or what inspired you to write the song?
 Santa’s huge sack and jingle bells.

What about your song might pique the listeners interest?
The singalongability of “Ho ho ho ho ho ho ho” and the triple entendres.

Bonus: A sample!  Here is a smidge of my performing Santa’s Sack at the Music Mentor Productions holiday party this month: http://youtu.be/DJMudNqYdiU

And there are the lyrics:

SANTA’S SACK
by Kat Leonard November 2012

(Spoken) Dear Santa…
You’ve got a big sack– jam-packed
With heavy gifts of joy that could break your back
I can help you… damn straight
I can help release the pressure and reduce the weight

I’ll take my gifts now… and how
You know what I like and I’m willing to be wowed
I’ve been a good girl—giddy up
I saved half of your cookies and egg nog in a cup

Chorus:
Santa, how your sack does bulge
Ho ho ho ho ho ho ho
Bursting with the gifts I love
Ho ho ho ho ho ho ho
What could be inside for me?
Ho ho ho ho ho ho ho
Ho ho ho ho ho ho ho
Bulging sack of festive glee

You’ve got a big sack—paddywack!
The strain must be a constant risk of heart attack
Let me hold it– pick it up
I’ll keep it upright and inspect it close-up
You can trust me—fingers crossed
I’ll handle it with care so nothing gets tossed
Let me touch it—Jingle bells
I see something for me right there where it swells

BRIDGE:
Jolly yuletide clown
Come on down
Loosen your belt, recline by the fire
I’ll roast some nuts and sing like a choir
I’ve been a good girl
I saved you a cookie
I’ve been a good girl
(Spoken): Well, half a cookie.
It’s better than no cookie.
I’ve been waiting a long time, Santa.
They kept getting into my mouth… I couldn’t stop them.

(Repeat chorus and improvise to end)

I do hope you’ve enjoyed Santa’s Sack and benefit it from the real sack this holiday season!  Happy Ho Ho Ho!  I do believe Heather Hill and Arlene Paculan might be interested in doing The Next Big Thing exercise.  If anyone else is, please feel free to use my adapted questions!

Love Kat

www.KatLeonard.com

FUCK CANCER!


I am an active member of the Songwriters Association of Canada (SAC), which offers various workshop opportunities and resources for songwriters.  I meet regularly with a group to showcase works in progress and sometimes collaborate and exercise skills. One SAC exercise was to take a song that we love and play with the lyrics and/or musical components.  Playing with music and emulating others is a helpful exercise in developing our own talents.  As children, we learn task, behaviour and language by imitating those around us.  It’s important for artists to find their own voice, but I believe experimentation with something that inspires us is a great playground and springboard to our own possibilities.

I chose Leonard Cohen’s Hallelujahkd lang’s rendition changed my relationship with music.  I had the opportunity of soaking in an intimate performance of hers.  I sat 5 feet from her on the same floor.  From the moment she inhaled her first singing breath, I knew I was forever changed.  Watching her use her phenomenal instrument to allow the release of such a beautiful and powerful spirit, to feel it move about the room, that spirit souring on a wave of soul that carried me to another dimension was… (sigh) enigmatically indescribable.  But I blissfully digress.  I love the work of Leonard Cohen.  He’s a true music-smith and storyteller.  I also love that his first name is my last.

The lyrics I wrote for the SAC exercise are Fuck Cancer, but I have since gotten more mileage out of Cohen’s incredible Hallelujah sound bed.  I was asked to sing Hallelujah at both a wedding and a funeral this summer, so I changed the lyrics again and again to suit each of these events.

Excuse disclosure: This was an exercise in writing, not singing, so these aren’t slick recordings of the songs.  But if I wait until they’re made spiffy, I may not ever get to it.  My to-do list is way longer than the lineup for an iPhone 5!

Here are my three adaptations– with lyrics and link to sound in case you’d like to sing along!

FUCK CANCER

The lyrics “Fuck Cancer” are pretty severe.  The words “Fuck” and “Cancer” individually have pretty stirring effects on the ear and heart (also that other “C” word, but I’ve not made a lyric of it.)  So when Fuck and Cancer are put alongside each other, juxtaposed with the haunting splendor of Hallelujah’s sound bed, there’s a palpable reaction from the crowd I sing it to.   Some people read the lyrics before hearing the song and immediately thought, “No, don’t do this,” until they heard it sung and changed their tune to, “Oh, yes, do this.  Don’t even come up with an original song bed and melody to this.  It’s gotta be wedded to the sound of Hallelujah.”  Others suggested maybe toning down the “fuck” to “damn” or even “darn” or “screw”.  I wrestled a bit with the concern of harshness, because I don’t strive to offend.  However, I do strive to affect.   Yeah, Fuck is harsh.  So is Cancer.  So when Cancer’s less harsh, I’ll agree to soften the lyrics.  Until then, Fuck Cancer!!!

Hallelujah FUCK CANCER
(Leonard C. adapted by K. Leonard)

I had an aunt with guts of gold
A hefty laugh and warm hand to hold
You’d fall in love before you knew it
Her smile was bright, her humour sharp
Her encouraging words could dispel the dark
With cruel notice, she was gone before we knew it
Fuck cancer, Fuck cancer,  Fuck cancer,  Fuck cancer

Grampie fought the great evil abroad
He’s the old kind of brave we’ll forever applaud
He fought for freedom from might
Taught me I was never alone
Gave a lonely young girl a place to belong
And in the end he surrendered to only one enemy
Fuck cancer, Fuck cancer, Fuck cancer, Fuck cancer

I have a friend who’s been fucked before
She’s battled the devil who comes back for more
She struggles inside but she doesn’t show it
She’s a buoyant wave on a frantic sea
And the kind of friend I strive to be
If she’s gone too soon, the world becomes less worthy
Fuck cancer, Fuck cancer, Fuck cancer, Fuck cancer

We all know that your end will come
And though the path be snarled and long
We’ll find our way and fight you strong
Sing a battle cry with all our might
Stun the dark to succumb to light
Sing with perpetual echo: Fuck you, cancer
Fuck you cancer, Fuck you cancer, Fuck you cancer, Fuck you
Fuck you cancer, Fuck you-ou-ou… Fuck you cancer
Fuck you…. Fuck cancer

HALLELUJAH FOR A WEDDING

I sang this in Germany to a German congregation in an itty bitty delight of a village.  There were less than 10 people who understood the meaning of the lyrics I was singing, but there were many a tear streaming down from the effect of the melody and soul of the song.  The wedding and funeral versions of Hallelujah both begin with Cohen’s original lyrics and deviate from them.

HALLELUJAH For a Wedding
(Leonard C. adapted by K. Leonard)

I’ve heard there was a secret chord
That David played, and it pleased the Lord
It’s amazing how music goes through ya
It goes like this, the fourth, the fifth
The minor fall, the major lift
The baffled king composing Hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah

Your love is strong and you live the proof
You saw her bathing on the roof
Her beauty in the moonlight overthrew you
She took your hand and won your heart
Gave your life a brand new start
And from your lips she drew Hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah

I’ll do my best and love you much
With all I feel I need your touch
It’s truest of truth, I wouldn’t fool ya
I’ll stand by you through right and wrong
I’ll stand before the Lord of Song
And raise my voice in hallowed Hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah

HALLELUJAH FOR A FUNERAL

I also added a splash of Charlie Pride’s Crystal Chandeliers because it was my aunt’s favourite song to dance to.  Singing it a cappella in the church, it was easy to break into Crystal Chandeliers.  But I am really pleased with the result of breaking into the different song whilst remaining in the sound bed of Hallelujah.  I was even able to retain the original melody of Crystal Chandeliers and then meld back into the melody of Hallelujah.  Isn’t music amazing?!

Hallelujah For a Funeral
(by Leonard C. adapted with love
and a splash of Charlie Pride by K. Leonard)

I’ve heard there was a secret chord
David played and it pleased the Lord
It’s amazing how music gets to ya
It goes like this, the fourth, the fifth
The minor fall, the major lift
It baffled the king composing Hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah

Listen, I’ve been here before
I know this room and I’ve walked this floor
But all that was familiar is new
The legacy you’ve built is strong
I stand before the Lord of Song
And raise my voice in hallowed Hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah

Your love is true and your friendship such
You can mend a heart with a simple touch
The power of the spirit runs through ya
And even though you can’t stay long
Your love and light to us belong
It echoes in every heartfelt Hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah

The crystal chandeliers light up your paintings on the wall
The marble statuettes are standing stately in the hall
But will the timely crowd that has you laughing loud
help you dry your tears
when the new wears off your crystal chandeliers

Hallelujah, Hallelujah, Hallelujah, Hallelujah

So that’s an example of a SAC music exercise that resulted in much play and education for me!   What are your thoughts on playing with music in this way?  What are your thoughts on the harsh lyrics of Fuck Cancer?  Do you think I should play with creating original music to go along with the lyrics, perhaps even just for the exercise of it?  Or do you prefer it this way?  (This is an academic question, of course, because it’s not my music bed to use beyond an exercise. ;p)  I think I’d really learn from your opinions!

As always, wishing you much music and play!

www.KatLeonard.com